Create an Anti-Alcohol Concept Artwork with Photoshop

In this tutorial I’ll show you how to create an anti-alcohol concept artwork using a range of photo manipulation techniques. You’ll work with blending, masking, image extraction, lighting, coloring and more.

What you’ll be creating

We’ll start this tutorial by setting up a scene from the sky, ground and stair images. Then we’ll add the model and do some retouch on her. Later we’ll use the smoke image to build up a dark and mysterious atmosphere. After making the blood we’ll use some adjustment layers to enhance the color and contrast of the whole pic. Then we’ll take care of the lighting and create a special effect for the “gate of hell” with a few adjustment layers, brush and nebula texture. We’ll use an adjustment layer to enhance the final result. You should use Photoshop CS3 or newer to follow this tutorial properly.

drunk39-final[6]

Tutorial Resources

Step 1

Create a new document in Photoshop with the following settings:

drunk1[4]

Step 2

Open the sky stock. Use the Move Tool (V) to drag the sky into our white canvas:

drunk2[4]

To darken the sky, I used an adjustment layer. Go to Layer > New Adjustment Layer > Curves:

drunk2a[4]

drunk2b[4]

Step 3

Open the ground image. Place it at the bottom of our main document using the Move Tool, also use the Cmd/Ctrl+T key to transform it as shown below:

drunk3[4]

You can see that I’ve rotated the ground to get a lean angle to fit this tutorial concept.

Click the second button at the bottom of the Layers Panel to add a mask to this layer. Use a basic, soft brush with black color to soften the edge of this ground:

drunk3a[4]

Step 4

To darken the ground, I used a Curves adjustment layer with Clipping Mask:

drunk4[4]

On this layer mask use a soft black brush with the opacity and flow about 20% to erase the left of this ground (we aim to add a light source there, see in next steps).

drunk4a[4]

Step 5

Open the gate and stair image and isolate it from the background:

drunk5[4]

Step 6

To remove some of the unwanted details on the stair, make a new layer and active the Clone Tool (S):

drunk6[4]

Use this tool to delete the indicated details :

drunk6a[4]

Step 7

Hide the background layer by clicking its eye icon. Press Cmd/Ctrl+Option/Alt+Shift+E to merge the extracted stair and the clone layers. Use the Move Tool to drag it into our main image, position it at the left:

drunk7[4]

Add a mask to this layer. Use a soft black brush to remove the edges of the stair as shown below:

drunk7a[4]

Step 8

I used Curves (Clipping Mask) to darken the stair:

drunk8[4]

drunk8a[4]

Step 9

Cut out the model from the background and place her at the right of the ground, remember to rotate her to fit the angle of the ground:

drunk9[4]

Step 10

Make a new layer above the model one, change the mode to Overlay 100% and fill with 50% gray:

drunk10[4]

Use the Dodge and Burn Tool (O) with Midtones Ranges, Exposure about 15-20% to refine the contrast on the model face. You can see how I did it with Normal mode and the result with Overlay mode:

drunk10a[4]

Step 11

Copy the cap and blood from the original image and position them beside the model:

drunk11[4]

Step 12

Make a new layer under the model one. Use a soft black brush with the opacity varied from 40% to 70% to paint the shadow under the model and the cap.

drunk12[4]

Step 13

Make the model, shadow, cap, blood layers selected then press Cmd/Ctrl+G to create a group for them. Change the mode of this group from Pass Through (default group mode) to Normal 100%. On the top of the layers within this group, make a Curves adjustment layer to darken the model and the relevant details:

drunk13[4]

On this layer mask use a soft black brush to reduce the darkness on some parts shown below:

drunk13a[4]

Step 14

I used Hue/Saturation to reduce the saturation of the layers in this group:

drunk14[4]

drunk14a[4]


Photoshop Tutorials

Free Download: 8 Premium Looks Actions for Photoshop

How do you turn a boring snapshot into a photo with emotion? Easy – just add some faded vintage effects. They’re nothing new but these Premium Looks actions by SparkleStock have plenty of new features never seen before in Photoshop actions. They create exposure-neutral effects with layers that let you control the amount of color, contrast, and fade. And just in case you have a 200MP Hasselblad medium format camera lying around, you’ll be glad to know that the included light leaks are 100% vector. If you want to improve your photos with zero effort, then you have to download and try out these free Photoshop actions.

Before and After Examples

See how these Photoshop actions completely change boring snapshots into something that tells a story. In the first example, the “Reminiscence” action was added to this boring tourist photo to make it look like it was shot with a film camera. Now it looks a lot more nostalgic.

The “Brisk” action is particularly useful for creating an eerie look and can be used to make photos look haunted.

Every effect is customizable. By increasing the fade and reducing the contrast, you can get an effect shown in the image below.

There are also light leak actions that can be used to add subtle or strong light leaks. These are great for adding a vintage look to your photos.

Features

The free download includes five photo effects and three light leaks. With the pro edition, you get all twelve photo effects and eight light leaks. Title-2

Title-3

The actions are so simple to use. Simply play one action and all the effects will be prerendered for you so that you can pick the best effect without playing each action one-by-one. You can even increase the color, contrast, and fade to get the perfect look.

Title-4

All the effects including the light leaks are nondestructive. You can use them on any image size and any aspect ratio. Because the actions only use nondestructive techniques, they run fast and keep your file size small.

Title-5

Video Demonstration


Download Premium Looks (Vol. 2)

  • Reminiscence
  • Flashback
  • Spirited
  • Brisk
  • Lust
  • Excursion
  • Radiant
  • Slate
  • Passion
  • Alive
  • Synthpop
  • Energy
  • Light Leaks


Photoshop Tutorials

How to Create a Dynamic Poster You Can Use for Night Clubs

Learn how to create this abstract Dance night poster with Photoshop. In this tutorial, you’ll learn how to create abstract atmospheric. Throughout the tutorial, you’ll learn how to use dodge and burn tool to do basic and simple painting, smudging, masking, color adjustment, lightning and some more.

What you’ll be creating

In this tutorial we will create a abstract poster using some image stocks. We will use some essential techniques in applying dodge and burn tool. We will use masking, brush tool, some filter, color adjustments all through the steps in this tutorial. Use Adobe Photoshop CS3 or higher.Hope you guys gonna enjoy this tutorial.

final-image

Tutorial Resources

Step 1

create a new file with a width of 1278 px and a height of 900 px at 150 dpi (Dots per Inch).Fill it with black color.

step1-black

Step 2

Ok now Make a new layer and name it “Space brush” Use the space brush you downloaded, paint a few space patterns/objects around the canvas:

step2a-brush

Now reduce the opacity to 25 %.

step2b-opacity

Add more space nebulas to our canvas .

step2c-brush

Now add vector mask from the bottom of layers palette .

Now activate Brush tool (B) with these settings :

Brush size: 400px

Hardness: 0%

Opacity: 40%

Flow: 100%

Color: #000000

Now paint over the highlighted area.

step2d-opacity

The result should be similar to this:

step2e-final

Step 3

Ok now Make a new layer and name it “Smoke” Use the Smoke brush set you downloaded, paint a few smoke around the canvas:

step3a-brush-set

The result should be similar to this:

step3b-brush

Add more smoke in our canvas with different layers.

step3c-group

Now select one of the smoke layer which we have created and then hit (CTRL+T) then make a right click and select warp and play with the shape of our smoke layer .See as below :

step3d-transform

Follow the same step and add more smoke effects.

step3e-duplicate

Ok now Make a new layer and name it “Particles” Use the Debris Brush you downloaded, paint a few smoke around the canvas and take #92886f as your fill color .

step3f-brush

Next, activate the Transform tool (Ctrl/Cmd +T), then while the “Particles” layer is selected and then resize it as shown below:

step3g-transform

Follow the same process and add more particles to our canvas.

step3h-final

Step 4

Now use one of the space brushes which we have downloaded earlier and then open the RockJagged0016 image and then make a new layer above RockJagged0016 layer and paint on that layer then hit (Ctrl+Click) on that layer to make it selected then select the RockJagged0016 and hit (ctrl+c) and copy that painted area.See as below

step4a-planet

Now go back to our canvas and make a new layer and name it “rocks” and hit (Ctrl+v) and paste the copied part of RockJagged0016 image.

step4b-planet

Now hit (Ctrl+l) to open Levels adjustment layer .

When the Levels box opens, input the following:

step4c-levels

Follow the same process and add more rocks to our canvas.Remember every layer should be seprate.

step4d-final


Photoshop Tutorials

How to Create Vivid Arabian Night Composite

Learn how to create a beautiful Arabian night photo manipulation with Photoshop. You will learn several blending tricks and composting tips that will help you create a vivid vector-like landscape.

What you’ll be creating

This photo manipulation is my vision on how the desert should look in a story: mysterious and welcoming. You will need Photoshop CS5 or newer to create this tutorial..

final-results

Tutorial Resources

Step 1

Create a new document 3797×2440 px. Using the Gradient Tool to create a nice gradient with #04243f as foreground color and #0e74d6 as background color.

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Step 2

Create a new layer (Ctrl + Shift + N), set the foreground color to white and using the stars brush create some stars.

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Step 3

Create a new layer and using white and white-orange draw a comet coming from above. It’s not that hard really, just draw with the white brush a couple of short diagonal lines and draw a loose circle at the end of those lines (head of the comet).

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Step 4

Open the clouds image and choose Select> Color Range. Click with the marker once on a bright spot in the picture to select most of the white clouds. Click Ok. Press Ctrl + C to copy the selection and close the clouds document. Go back to our document and press Ctrl + V to paste. Rename the pasted layer Clouds to keep layers from cluttering. Right click the Clouds layer and choose Convert To Smart Object. Press Ctrl + T to enter Free Transform and resize the clouds as I did in the image below. Finally, set the blending mode of the layer to Lighten.

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Step 5

Add a layer mask to the Clouds layer (Layer > Layer Mask > Reveal All). With a soft black brush mask the edges of the clouds so that they integrate flawlessly with the sky.

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Step 6

Create a new layer and set the blending mode to Overlay. Choose #e37952 as foreground color and with a soft brush paint lightly in the area indicated below. Lower the opacity of the layer to 40-50 %. This will be the horizon diffuse light later when we will add the terrain. You can also group all the layers we created until now. To group layers select them by shift- clicking each and press Ctrl + G.

6

Step 7

Open the file Moon and using the Elliptical Marquee Tool select the moon. Copy (Ctrl + C) and paste (Ctrl + V) into our document. Right click on the pasted layer and choose Convert to Smart Object. Resize and position as I did in the image below.

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Step 8

Double-click the moon layer to enter Advanced Blending Mode and apply a color overlay (#71a8e3) set to Overlay Blending Mode.

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Step 9

Add a layer mask to the layer moon and using a round black soft brush mask the lower and the left side of the moon.

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Step 10

Let’s add some highlight to our moon. Create a new layer and add a layer mask (Layer > Layer Mask > Hide All). Ctrl- click on the moon layer to make a selection than press D to set the default colors. Finally, press Alt + Backspace to fill the selection with white. Click on the layer again to select it and with a white brush paint some highlights on the right and up side of the moon.

.

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Step 11

Now let’s create the terrain. Open file “Desert” and using the quick selection tool select the terrain only (not the sky). Copy and paste the terrain into our document. As you already guess now you should right click the desert layer and convert it to a smart object. Resize it and position the terrain as shown below. If your selection was imperfect feel free to add a layer mask and mask the

unwanted bits.

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Step 12

In this step and the following steps we will apply some adjustment layers to the desert layer in order to blend it better with our image. Usually almost any imported/pasted layer is often more saturated than the rest of the composition (not only in this case but in general) so let’s add a Hue/Saturation Adjustment layer and tweak with the values. We notice that the terrain looks much better if we decrease slightly the saturation. But in order to apply the effect only to the terrain layer we must clip the Hue/Saturation to the Desert layer by Alt-clicking between the two ( and we will do so for the rest of the adjustment layers applied to the terrain). If you notice the a group called City and wonder why you don’t have it don’t worry about it, you will find out why in the future steps.

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12b

12c

Step 13

Now let’s color correct the terrain a bit. Add a curve adjustment layer and use the settings shown below. Clip this layer to the layer below (it should be clipped to a Hue/Saturation layer which in turn is clipping the desert layer). Lower the opacity to 32%.

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Step 14

Now let’s add some selective lighting. We will make the foreground part of the terrain darker. Add a curves adjustment layer and drag the curve down to darken. Click on the layer mask and with a black brush paint on the top part of the terrain to keep it untouched by the darkening effect. Lower the opacity until you achieve a pleasant effect (40%). Clip the layer to the layer below.

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14a

Step 15

And as a last adjustment layer applied to the desert create a Brightness/Contrast layer and drag the Contrast slider to the right until a value of 70 is reached. Clip the layer to the layer below.

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15a

Step 16

Group the terrain layer and the all the adjustment layers we applied to it into a new group.

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Step 17

Now we’ll create a city in the distance. Create a new layer and press Ctrl + G to add it to a group. Name the group city and move it below the terrain layer.

Step 18

First of all be careful to put all city related layers inside the group City or else we will have a messy document. Our city will have three layers of building outlines to simulate depth. First outline will be dark and it will sit in front, second will be a little lighter than the first and sit in the back of the first outline and third will be even lighter and will sit behind the two other outlines. If you followed the step 17 you should have a single empty layer inside the City group. Select this empty layer and group it again by pressing Ctrl + G. Name the group Dark Buildings. Choose the Mosque Brush and with click a couple of times using a variety of mosque buildings to create a something like I did below.

Step 19

Now we will add some highlights to our dark outlines in order to give them some 3d volume. Create a new layer in the Dark Buildings group and name it Highlight. Clip this layer to the outline layer we created in step 18 (for clipping refer to step 12). We assume that the light comes from the left up side of our image so the highlights will have to be on the left side of the building outlines. Select a white round soft brush at 10% Opacity and paint some highlights on the left side and top of each building. Don’t overdo, be subtle.

Step 20

When light hits an object we usually notice a very sharp bright line on the corner or top of it. This is called specular highlight and it gives our objects a nice look. Create a new layer and clip it to the highlights layer. Name this layer Specular Highlight. With a white brush at 30-40% Opacity and 1px size paint some subtle specular highlights on top and left side of the buildings. Again, be subtle.

Step 21

Now let’s create the second city outline. Repeat the steps 18 to 20 but increase the size of the Mosque brushes and place them a little higher than the Dark Buildings outline. Name the newly created group Medium Dark Buildings and place this group below the Dark Buildings group in the Layer Palette. Lower the opacity of the Medium Dark Buildings to 85%.

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21a

Step 22

For the last city outline we will use a mosque from a picture. Open file Mosque and make a selection of the mosque using the Lasso Tool or the Pen Tool. Copy and paste into our image. Right click the pasted layer and choose Convert To Smart Object. Use Free Transform (Ctrl + T) to place the mosque behind the two other building outlines.

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Step 23

Now let’s fill the Mosque with black color in order to make it an outline. There are multiple ways to do that but I went for a Adjustment Layer solution. Create a new Curves Adjustment layer and place it above the Mosque layer. Clip the Curves layer to the Mosque layer and drag the right point of the curve all the way down.

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23a

Step 24

Select both the Mosque and the Curves layer and group them together (Shift – click each and press Ctrl + G) and name the group Big Mosque. Add a layer mask to the group. Shift click both the Dark Mosque layer (the layer where you applied the brushes) and the Medium Dark Buildings. This will create a selection of both. Now click back on the layer mask of the group Big Mosque and press D to set default colors and Alt + Backspace to fill selection with black. This will prevent the ugly look caused by stacking multiple transparent layers on top of each other.

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Step 25

Apply both a specular highlight layer and a highlight layer to the Big Mosque group (as we did in step 18 to 20) and group all these layers together. Name the new group Light Buildings.

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25a

Step 26

It starts to look good but we still need to make the city look more real. And the best way to make a city look real is to add smoke/dust. Create two new layers and name them Smoke. Place one between Dark Buildings group and Medium Dark Buildings Group. Place the second one between Medium Dark Building group and Light Building group. Choose a soft white brush at 1% Opacity and paint some smoke/dust (just draw some loose horizontal lines). The effect will be barely visible but it helps selling our city.

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26a

Step 27

Group all the city layers we created until now and name the new group City Outlines.

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Step 28

Let’s create some extra smoke. Create a new layer, name it Smoke and paint a more pronounced smoke effect than we did at step 26. Place this layer above the City Outlines group.

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Step 29

There are probably people still active in the city even at night (unless it is a deserted city) so let’s show that by creating some window lights. Create a new layer and name it Window Lights. Choose a light yellow color and with a round soft brush at 2-3px draw some dots where you feel that windows or doors should be. If you don’t feel anything take a look at how I did it below.

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Step 30

Now let’s add some random detail to break the monotony. Create a new layer and name it Extra Detail. Using a 3-4px size brush at 10% Opacity squiggle a few lines here and there.

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Step 31

A city in the desert wouldn’t be a city without some palm trees. Open the file Palm Tree and press Ctrl + A to select all and Ctrl + C to copy. Go back to our document and press Ctrl + V to paste. Right click the newly pasted layer and choose Convert To Smart Object. Free Transform (Ctrl + T) to resize and position the palm to look like in the image below.

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Step 32

Let’s darken the palm so that it matches the city. Create a new Curves Adjustment Layer and place it above the Palm Tree layer. Clip the Curves layer to Palm Trees layer. Drag the curve down to darken the palm. Group both the Curves and the palm layer and name the group Palm Tree.

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32b

Step 33

In order to add more palms simply duplicate the Palm Tree group (Ctrl + J) and resize and rotate slightly each palm. Place 6-10 palms across the city length. Group all the Palm Tree Groups under a new group called Palm Trees.

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Step 34

Now shift-click City Outlines group, Smoke layer, Window Lights layer, Extra detail layer, Palm Trees layer and group them together. Name this new group City. Make sure this group is below the Terrain group.

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Step 35

This is a desert so it probably should have a snake. Open file Snake and make a selection of the snake. Copy and paste it into our document. Right click the layer and choose Convert To Smart Object. Free Transform to position and resize as shown below.

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Step 36

Let’s add some lights and shadows to our snake. Create a Curves Adjustment layer and clip it to the Snake layer. Drag the curve up to lighten. In the layer mask paint with black the bottom parts of the snake to lighten only the upper parts.

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36a

Step 37

Create a new Curves Adjustment layer and clip it to the Curves Adjustment layer below. Drag the curve down to darken. In the layer mask paint with black mostly the upper parts of the snake to prevent the darkening effect from happening here (the light comes from left up side so the superior part of the snake should be light and the lower part should be dark).

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Step 38

In order to make our snake stand out let’s create some strong shiny highlights on his back. Create a new layer and name it Highlights. Clip this layer to the two Curve Adjustment layers below. Change the blending mode to Overlay and with a round white soft brush at 20% Opacity paint on some of the top area of the snake (go for the head, a little in the middle and a little near the tail).

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Step 39

The snake looks like it’s floating above the desert. That’s because he lacks a shadow. Create a new layer, name it Shadow and change it’s blending mode to Multiply. Place this layer below the snake layer and with a soft round black brush at 50% Opacity paint some shadow under the snake. Group all the snake related layers and name the group (obviously)Snake.

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39b

Step 40

Open file Crane and make a selection of the crane. Copy and paste into our document. Ctrl-click the layer, press D to set default colors and Alt + Backspace to fill the selection with black. Use Free Transform to resize and position the layer as shown below. Usually we convert the imported layers into Smart Objects, however because in this case I thought it to be an overkill I didn’t convert it.

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Step 41

Create a new layer, put it below the Crane layer and change the blending mode to Multiply. Draw some light shadows with a black brush at 20-30% Opacity. Group the crane related layers and name the group Crane.

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Step 42

A desert without an oasis would be a poor desert. Since there are no oasis photos we can use in this case we will draw the oasis. It’s not as hard as it seems, you’ll see. In almost any drawing the water should have the color of the sky. Sample a color from the blue sky (with the brush tool selected hold Alt and click to sample). Create a new layer and name it Color Base. With the chalk brush at 90% Opacity paint an approximate rough ellipse as indicated below. I also added a layer mask and further mask the edges in order to blend with the desert.

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Step 43

Create a new layer and name it Water Basic Reflection. Clip it to the Color Base layer and change the blending mode to Color Dodge. Using #1c71ae color and a round soft brush at 40-50% Opacity paint over the water surface. Paint more in the middle.

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Step 44

Create another layer and clip it to the Water Basic Reflection layer. Change the blending mode to Color Dodge and name it Moon Reflection. Sample a color from the moon (a lighter blue) and draw some lines in the middle of the water surface. If the effect is too strong lower the fill to 50-60%.

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Step 45

When the sand is wet it will be a darker color than the dray sand. Let’s create some wet sand effect on the shores of our lake. Create a new layer and with a black chalk brush at 30% Opacity draw some loose lines around the lake.

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Step 46

Add some extra moon highlight by creating a new layer, setting the blending mode to Color Dodge and painting just a little bit in the very center of the lake with a light blue color.

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Step 47

Let’s add some glow to our lake. Create a new layer and set the blending mode to Overlay. Using a soft round brush at 5% Opacity paint a little bit with white over the center of the lake.

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Step 48

Usually there are some sort of plants growing around lakes. Create a new layer and with a black chalk brush at 2px size and 80% Opacity squiggle a few herbs here and there. Group all the oasis related layers and name the group Oasis Lake.

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Step 49

Select the Brush and choose one of the Camel brushes. Choose black as a foreground color and create a new layer .Click once on it to draw the camels. Resize and position the camels as shown below.

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Step 50

Open the Palm file again and copy/paste the palm into our document. Convert it to Smart Object. Add a layer mask and with a black brush paint a little at the bottom of the palm trunk so that it will blend nicely with the terrain. Make 2 extra duplicates by pressing Ctrl + J twice. Resize and position each pals above the oasis lake (as shown below).

50

Step 51

Open the Palm file again and copy/paste the palm into our document. Convert it to Smart Object. Add a layer mask and with a black brush paint a little at the bottom of the palm trunk so that it will blend nicely with the terrain. Make 2 extra duplicates by pressing Ctrl + J twice. Resize and position each pals above the oasis lake (as shown below).

51

Step 52

Let’s add some shadow to our palms. Create a new layer and place it inside the Palms group. Change the blending mode to Multiply and with a black chalk brush at 60% Opacity draw some shadows for the palms. Remember that the light is coming from the left up so the shadows should be directed towards right and down.

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52b

Step 53

Ok, so now we are done with the composition of our scene. Time to add some color effects. Let’s start by setting a night mood to our scene. Create a Gradient Map Adjustment layer and choose the indicated preset. Change the blending mode to Soft Light and lower the fill to 66%.

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53b

Step 54

Let’s boost up the contrast. Add a Brightness/Contrast Adjustment layer and drag the Contrast slider to the right until we reach a value of 45.

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Step 55

Light areas in a painting draw the eye and establish the interest points. Create a new Curves Adjustment layer and drag the curves up to lighten. Click on the layer mask, press D to set default colors and press Alt + Backspace to fill the mask with black. Now choose a soft white brush at 30% opacity and paint over the horizon, the moon, the oasis and the city.

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Step 56

Sampling a color from a scene, filling a layer with that color and setting the layer blending mode to Color Dodge will give a nice punch to the colors. Let’s do this in our scene. Sample a dark blue from the sky (#1c71ae), create a new layer and fill it with the sampled color. Change the blending mode to Color Dodge.

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Step 57

In order to further increase the focus on the sky let’s darken the terrain a bit. Create a Curves Adjustment layer and drag the curve down a little to darken. Choose the Gradient tool and press D to set default colors. Click on the layer mask and holding Shift drag from the top of the scene to the bottom area.

Step 58

Finally, let’s add some color tint. Create a new Gradient Map Adjustment layer an choose the same preset as we choose at step 53. Change the blending mode to Linear Dodge and lower the Opacity to 23%. That’s it.

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Final Results

final-results[1]

Download the PSD


Arabian Night.zip | 47.9 MB

Tutorial by Adrian Scheff

profile

Thanks for following my tutorial and I hope you learned some useful Photoshop tips and techniques. You can find me on deviant art at fantmayo.deviantart.com.

-Adrian Scheff


Photoshop Tutorials

Retouch Basics for Graphic Designers and Photographers

Preview of Final Results

With this tutorial you will create amazing beauty retouch, which can be used in printed media – like in magazines, flyers, adverts and more. You can use this knowledge in your designs, or even if you are photographer! You’ll need Photoshop CS5 or newer to follow this tutorial.

final-results

Tutorial Resources

Step 1

Open stock photo with the model. Duplicate it – drag layer to “New layer” symbol.

step-001

Step 2

Now you’ll be working on duplicated layer. Choose Clone Stamp Tool. Use soft brush. Hold alt and pick cleaner fragments of skin. Then use stamp tool under her eyes, erase freckles and wrinkles. (Feel like plastic surgeon.) You should play with brush size.

step-002

Step 3

Go to her forehead. Also with clone stamp tool erase hair strands and wrinkles. Use smaller brush.

step-003

Step 4

Duplicate layer when clone tool was used. From top menu choose Blur > Gaussian blur.

step-004

Step 5

Add mask to this layer. Mask everything, but except face and neck. Mask eyes, hair, lips and nose. Facial features will be more detailed, than skin.

step-005

Step 6

Decrease opacity of this layer to 70%.

step-006

Step 7

Now her face is dolly-like. Add new layer. From top menu choose Filter > Noise > Add noise.

step-007

Step 8

Add mask to this layer. Fill it with black.

step-008

Step 9

Back to layer with blur. Hold alt and click on mask.

step-009

Select all (ctrl + A), then copy (ctrl + c) selected area.

Step 10

Go to noise layer. With alt holding click mask and paste copied mask (Ctrl + V).

step-010

Step 11

Decrease opacity of this layer to 3%. Then change blending mode to overlay. Skin will be look like real.

step-011

Step 12

Add new layer. Pick Big, soft brush and use #d0b3a6 color. Draw some strokes on her face – where skin isn’t perfect.

step-012

Step 13

If it’s needed, choose from top menu Filter > Blur > Gaussian blur.

step-013

Step 14

Change blending mode of this layer to Soft light. It will make skin lighter.

step-014

Step 15

Back to grain layer Duplicate it.

step-015

Step 16

Place layer on the top. Change blending mode to Divide, change opacity to 8%.

step-016

Step 17

Add adjustment layer – Brightness/Contrast. Set it as shown.

step-017


Photoshop Tutorials

Create a Powerful Emotional Effect for Your Portraits in 9 Easy Steps.

What you’ll be creating

Quick-tip tutorial in 9 easy steps. Time to complete: 10 minutes. You will need Photoshop CS5 or newer to follow this tutorial.

final-results

Tutorial Resources

Step 1

Create a Curves Adjustment layer (Layer > New Adjustment Layer > Curves) then set the blending mode to Screen. Press D to set the colors to default. Click on the layer mask of the curves layer and press Ctrl + Backspace to fill the mask with black. With a round soft white brush paint over the eyes (make sure you have clicked the layer mask before painting). If the eyes are too bright lower the opacity (in this specific case I lowered the Opacity to 55%).

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Step 2

Create a Black & White Adjustment layer (Layer > New Adjustment Layer > Black & White) and set the blending mode to Multiply.

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Step 3

Press Ctrl + Shift + Alt + E to create a new layer from all the visible layers. Go to Image > Adjustments > Shadows/Highlights and play with the sliders in order to lighten the image a little bit. Drag the Highlights slider all the way to the left and drag the Shadows slider to the right until the image is a little bit lighter than before.

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Step 4

Press Ctrl + Shift + Alt + E to create a new layer from all the visible layers. Select the Dodge Tool (leave the default settings – Range: Midtones, Exposure: 50%) and paint over the following parts: eyes and especially the irises, tip of the nose, cheekbones, forehead, lips, tip of the chin, neck.

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Step 5

Press Ctrl + Shift + Alt + E to create a new layer from all the visible layers. Go to Filter > Sharpen > Unsharp Mask. Use a 1-2px radius and 50-100% Amount to sharpen the image. Try to achieve a fairly mild sharpen effect – too much will make it look bad. You can also lower the Opacity to lower the effect.

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Step 6

Create a Hue/Saturation Adjustment layer (Layer > New Adjustment Layer > Hue/Saturation). Drag the slider to the left until the image is fairly desaturated.

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Step 7

Create a Gradient Map Adjustment layer (Layer > New Adjustment Layer > Gradient Map) with the default settings (black and white). Set the blending mode to Soft light. This will increase the contrast.

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Step 8

Create a Curves Adjustment Layer (Layer > New Adjustment Layer > Curves). Drag the right slider to the left in order to boost the highlights.

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Step 9

This step is optional, follow it only if you want to add a little artistic effect.

Create a Gradient Map Adjustment Layer and choose one of the colored presets. Set the blending mode to Soft Light and lower the Opacity if the effect is too strong.

final-results[1]

9b

Below you can see some before and after comparison photos.

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OLYMPUS DIGITAL CAMERA

Final Results

final-results[2]

Download the PSD


Powerful Emotional Effect.zip | 8.34 MB

Tutorial by Adrian Scheff

profileThank you for following this quick-tip tutorial. I hope you learned something useful. You can find me at fantmayo.deviantart.com.

- Adrian Scheff


Photoshop Tutorials

3 Clean Branding & Identity Mockups

Clean Branding Mockups

With the free download, you get three clean mockups; letter, business card, and an iPhone 5s and iPad Mini mockup. The files are compatible with Photoshop CS5 or newer.

Letter

Business Card

Devices

Pro Branding Kit

Need more? If you upgrade to the pro kit, you get all eight mockups which include a bird’s eye and perspective view of all the products. The files are also an insane 6000×4000 pixels which is large enough for poster-sized printing.

Title-2

Title-4

Instructions

Using these mockups is extremely easy. Double-click on any green layer, place your image, then save and close.

Title-3

Download Branding and Identity Mockups by SparkleStock

If you’re already a SparkleStock member, then you can download the pro version free as part of your membership. You can also purchase the mockup through Creative Market if you’d like to purchase it without a membership.

  • Easy-to-Use PSDs with Smart Objects
  • Resolution
  • Mockups

  • Pro


  • $ 10

     

  • yes
  • 6000×4000 Pixels
  • 8

  • Pro


  • Free

    Requires paid SparkleStock membership

  • yes
  • 6000×4000 Pixels
  • 8


Photoshop Tutorials

Turn Baby Photo into a Fairy Tale “Queen of Fungi” Composite

What you’ll be creating

The first step is creating background and adding textures. The second step is adding mushrooms and bugs The next step is to add the model and create the effect of magic and neon stars. In the final stage, we will add small details and special effects. You need any version of Photoshop, inspiration, attention, good mood!

final-results

Tutorial Resources

Step 1

Before you start, download all the material in one place. So it will be easier to work with them. Download resources in the best quality, using the “Download” button in the top-right corner of the page with resource on site DeviantART.com. Open Photoshop and start by creating! Create a new document. Go to File > New or the short key Cmd /Ctrl+ N. A blank document with size of 3000 pixels wide and 2000 pixels high, resolution 200 Pixels/Inch. I named the document “Queen of fungi”.

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Step 2

Now I have added a background picture. Go to File > Place and select the image “Moss_stock_6_by_rustymermaid_stock”.

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The picture should be opened to all Working field size. If you do not, then go to the resource page and download it as it is written in the first step.

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Step 3

Zoom bit image, as shown in Figure. Use the Free Transform tool (Cmd /Ctrl+ T or go to Edit > Transform > Scale).

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Step 4

Duplicate this layer one time (the short key Cmd /Ctrl+ J or go to Layer> Duplicate Layer…).

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Now flip the duplicated image horizontally. Go to Edit> Transform> Flip Horizontal

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Move not reflected horizontally (first layer background) down a bit as shown in Figure.

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Step 5

Add a layer mask to this layer.

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Select the Brush Tool (B) with there settings: Size: 100px, Hardness: 0%, Opacity: 100% – 50%, flow: 100%,

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Step 6

On the layer mask partially remove the image. Carefully work through the background that was not prominent features. make it smooth. To help, here so I did. First – this is where I remove, it is the second kind of mask layer.

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Step 7

Add texture to convert background. Go to File > Place and select the image “nature_bokeh_stock_by_koko_stock-d73dkvv”.

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Transform the texture on all working fields.

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Change the values Opacity to 75%, Blending Mode to Overlay. A similar result can be achieved and adjustment layers, but will not look so impressive and fast. Sometimes I like such surprises. Should pay attention to them!

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Step 8

Duplicate this layer (the short key Cmd /Ctrl+ J or go to Layer> Duplicate Layer…). Increase the size and place this layer as shown in Figure. Use the Free Transform tool (Cmd /Ctrl+ T or go to Edit > Transform > Scale). This is in order to make the texture is not the same type.

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Step 9

Now merge the layers with texture to the one group, and add to it mask.

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Step 10

Select the Brush Tool (B) with there settings: Size: 600px, Hardness: 0%, Opacity: 100% – 50%, flow: 100%.

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Remove some of the texture from the center (where the girl is sitting, a tree and a little close). Remove the texture on the corners of the image by changing the brush opacity to 50%,

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Add to the bottom layer with the texture adjustment layer Curves (Layer > New Adjustment Layer > Curves… or click on icon New Adjustment Layer and in list, select Curves…).

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Set points for each channel, as shown in Figure.

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Photoshop Tutorials

Playing with Glows and Blurs – Fairy in the Woods Photoshop Tutorial

What you’ll be creating

You will create magical photo manipulation – Faerie in the woods. I really love playing with the lights in this work. You will learn special lightning techniques and blurring tips. You will need Photoshop CS 5.5 to follow this tutorial.

final-results

Tutorial Resources

Step 1

Create new file. Use portrait size.

step-001

Step 2

Place “Deep Forest” stock into your file.

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Step 3

From top menu choose Filter > Blur > Gaussian blur… Set it to 2,8 px.

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Step 4

As you can see, you can mask filters on your layer, by clicking white canvas next to Smart Filter Title. With big soft brush mask center of the ground. Don’t be afraid to use brush with smaller opacity. You can obtain true depth on your work! :)

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Step 5

Duplicate your “Deep Forest” layer. Click RMB on Smart Filter title and choose Clear Smart Filters.

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Click with RMB on your layer. Then choose Rasterize layer.

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Step 6

From top menu choose Filter > Blur > Lens blur. I used this settings, but you can play with it, for gain other results :).

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Step 7

Add mask to created layer (marked shortcut). Erase foreground and some trees on first plan.

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Step 8

Decrease opacity of this layer to 35%.

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Step 9

Now you will prepare your background to make night. Add Adjustment layer with Color Balance and set as is shown.

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Step 10

Add new layer (Shift + Ctrl + N). In your color picker set black and white. From top menu choose Filter > Render > Clouds. I also make some black strokes on the bottom of the layer for better blending.

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Step 11

For making foggy effect you should change blending mode to Screen and decrease opacity to 22%.

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Step 12

In the night everything have less contrast, than in the day. Add adjustment layer with Brightness/Contrast and decrease contrast.

step-012

Step 13

Decrease opacity by making new Adjustment Layer with Hue/Saturation.

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Step 14

Add Adjustment Layer with Brightness/Contrast.

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Step 15

Set midtones with Color Balance.

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Photoshop Tutorials

Quick Tips: Master Fundamental Colors in Photoshop

Introduction

With so much control it can seem rather daunting at first, but provided you always work using Adjustment Layers or Duplicate Layers, you can revert back to your original image and start again whenever you like.

The aim of colour adjustment and white balance correction is often to produce a neutral image. While this may be what is required on many occasions, it can also strip the atmosphere from a scene.

Colour is one of the best ways of conveying mood or atmosphere in an image, so rather than worrying about getting colours technically ‘correct’ or neutral, it’s often more important to think about the emotion or sensation that you want to convey.

For example, give a misty image a hint of blue and you’ll shiver inside every time you look at it, but give it a touch of yellow and red and suddenly it seems that the sun is starting to burn off the mist with the promise of a warm, sunny day.

A rich, warm autumnal image is very often far more attractive than a technically correct version. The decision is yours, but the most important consideration is the image itself and what works best.

featured

Curves

Curves offer you control over image colour by manipulating the RGB channels separately.
Although the Curves control is most commonly thought of as a way of adjusting brightness and contrast, it also provides a great method of adjusting image colour, because you can work on the individual colour channels of red, green and blue.

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It also allows you to manipulate the colour in the shadows, midtones and highlights separately.
When the Curves Dialog Box is opened – using Ctrl+M or Image>Adjustments>Curves (or by creating a Curves Adjustment Layer) – the channel is set to RGB by default, so use the drop-down list to select the channel you want to work on. Just click on the curve and push it up to increase the channel colour’s input, or down to reduce it.

When you adjust the level of red, green or blue in an image you are also manipulating their opposite colours – which are cyan, magenta and yellow respectively – so reducing the amount of red in an image, for example, increases the level of cyan.

The colours in raw files taken directly from the camera often appear dull and flat and in need a boost.

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Original

In addition to tweaking the tones and contrast in your image, curves can also be used to correct colour.

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Correct colour

Experiment with the individual red, green and blue for cool creative effects.

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Cross-processed

Useful Tip: The Select Color Range Option

A useful tool for making a quick selection, or refining an existing one, is the Select Color Range option. Choose the Sampled Colors option, then use the Eyedropper tool to target an area.

Use the Fuzziness slider to determine the range of colours included in the selection. To add colours to the selection, click on the image – or the preview – with the +Eyedropper and remove them with the -Eyedropper.

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Color Balance Adjustment Layers

Using an Adjustment Layer to alter colour balance means you can re-edit the results at any time.
The great thing about Adjustment Layers (Layers>New Adjustment Layer) is that they allow you to make changes to images that you can then adjust or undo whenever you like.

These layers contain the information about the adjustment only, and they are applied to the layers beneath them.

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The Color Balance Adjustment Layer controls are exactly the same as the Color Balance controls accessed via Image>Adjustments>Color Balance. There are three sliding controls that enable the balance of opposing colours (red/green, yellow/blue and magenta/green) to be adjusted.

Just the same as using Curves, increasing or decreasing the level of one specific colour has the opposite effect on its opposing colour. Therefore, an image can be warmed by reducing the amount of cyan and blue, which means increasing the level of red and yellow, or made cooler by adding more blue and cyan and reducing the amount of yellow and red.

image7

The majority of Color Balance adjustments are made to the midtones, but it is possible to work separately on both the shadows and highlights as well. You can access them using the Tone Selection option, which is found at the top of the panel.

Alter shades with Hue/Saturation

Photoshop’s Hue/Saturation controls are great for boosting colours, but they can also make sure colours are just the right shade. For example, grass can often look yellow, and boosting the saturation of the greens won’t work as there’s very little green present. However, adjusting the hue of the yellows towards the green area of the spectrum will do the trick.

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To select the yellows, either locate Yellows in the drop-down under Master, or select the Eyedropper tool and click on a relevant part of the image.

Uesful Tip: Auto Color

There’s no point in creating work for yourself. If an image needs colour correction, it’s often worthwhile letting Photoshop have a crack at sorting the problem out automatically.

To do this, simply select Image>Auto Color. If that doesn’t get it spot on, you can always make further adjustments using the Hue/Saturation and Color Balance controls. For maximum flexibility, apply the Auto Color corrections to a Duplicate Layer so it can be quickly removed.

Tutorial by Cojeack Forn

profileThank you for reading my tutorial! I’m very passionate about editing softwares like Adobe Photoshop and Adobe After Effects so I know a thing or two about them.

- Cojeack Forn


Photoshop Tutorials